The following materials form essential underpinning for the module content
and ultimately for the learning outcomes:
Alleque, L. et al. (2009) (eds.) Practice as Research in Performance and Screen, London, Palgrave Macmillan.
Barrett, E & Bolt, B (eds.) (2010) Practice as Research Approaches to Creative Arts Enquiry, London, L.B. Tauris & Co Ltd.
Delong, L., n.d. Designa - technical secrets of the traditional visual arts.
Eco, U., Farina, G.R.t. & Mongiat Farina, Caterina Role: translator 2015, How to write a thesis, MIT Press, Cambridge, Massachusetts
Foster, H., Joselit, D., Buchloh, B.H.D., Bois, Y. & Krauss, R.E. 2016, Art since 1900 : modernism, antimodernism, postmodernism, Third edn, Thames & Hudson, London.
Griffin, J., Williams, E., Trigg, D. & Harper, P. 2014, The twenty first century art book, Phaidon Press, London.
Hoffmann, J., 2012. The studio. London: Whitechapel Gallery.
Manovich, L. 2002, The language of new media, MIT Press, Cambridge, MA
Nelson, R. (ed.) (2013) Practice as research in the arts: Principles, protocols, pedagogies, resistances. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.
Williams, G. 2014, How to write about contemporary art, Thames & Hudson.
|