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Session: 2022/23
Last modified: 08/03/2022 11:23:27
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Title of Module: Script Analysis |
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Code: FILM08007 |
SCQF Level: 8
(Scottish Credit and Qualifications Framework) |
Credit Points: 20 |
ECTS: 10
(European Credit Transfer Scheme) |
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| School: | School of Business & Creative Industries |
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| Module Co-ordinator: | Dr John
Quinn |
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| Summary of Module |
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Script Analysis explores the discipline of writnig and analysing scripted drama. The module focuses on the processes and practices of creating and critiquing dramatic formats for the screen. Over the course of the module, students will complete two connected learning and teaching blocks, resulting in the completion of a script analysis.
As a part of this experience, students, will critically evaluate creative writing processes, practices, dramatic conventions and contemporary professional practice.
The teaching and learning focus of the module centres on acquiring professional competency related to the development of:
- Critical Reading
- Screen Narrative Aesthetic
- Presentation of Complex Information
- Critical Analysis
- Screenwriting
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| Module Delivery Method |
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| Face-To-Face | Blended | Fully Online | HybridC | HybridO | Work-based Learning |
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Face-To-Face
Term used to describe the traditional classroom environment where the students and the lecturer meet synchronously in the same room for the whole provision.
Blended
A mode of delivery of a module or a programme that involves online and face-to-face delivery of learning, teaching and assessment activities, student support and feedback. A programme may be considered “blended” if it includes a combination of face-to-face, online and blended modules. If an online programme has any compulsory face-to-face and campus elements it must be described as blended with clearly articulated delivery information to manage student expectations
Fully Online
Instruction that is solely delivered by web-based or internet-based technologies. This term is used to describe the previously used terms distance learning and e learning.
HybridC
Online with mandatory face-to-face learning on Campus
HybridO
Online with optional face-to-face learning on Campus
Work-based Learning
Learning activities where the main location for the learning experience is in the workplace.
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| Term(s) for Module Delivery |
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(Provided viable student numbers permit).
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| Term 1 | | Term 2 | | Term 3 | |
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| Learning Outcomes: (maximum of 5 statements) |
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On successful completion of this module the student will be able to:
L1.
Demonstrate and work with knowledge of the scope, defining features, and main conceptual areas of screenwriting practice. (KU)
L2.
Critique key professional screenwriting practices. (Applied)
L3.
Synthesise the fundamental elements of screen dramaturgy. (Cognitive)
L4.
Convey complex information to an informed audience via appropriate forms. (Communication)
L5.
Use a range of approaches to formulate and critically evaluate (Cognitive) |
| Employability Skills and Personal Development Planning (PDP) Skills |
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| SCQF Headings |
During completion of this module, there will be an opportunity to achieve
core skills in:
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| Knowledge and Understanding (K and U) |
SCQF Level 8.
Demonstrate and/or work with:
A discerning understanding of a defined range of core theories, concepts, principles and terminology.
Awareness and understanding of some major current issues and specialisms. |
| Practice: Applied Knowledge and Understanding |
SCQF Level 8.
Apply knowledge skills and understanding:
In using a range of professional skills, techniques, practices and/or materials associated with screenwriting, a few of which are advanced and/or complex.
To adapt routine practices within accepted standards. |
| Generic Cognitive skills |
SCQF Level 8.
Use a range of approaches to formulate and critically evaluate evidence-based solutions/responses to defined and/or routine problems and issues. |
| Communication, ICT and Numeracy Skills |
SCQF Level 8.
Use a wide range of routine skills and some advanced and specialised skills associated with screenwriting, for example:
Convey complex information to a range of audiences and for a range of purposes.
Use a range of standard ICT applications to process and obtain data. |
| Autonomy, Accountability and Working with others |
SCQF Level 8.
Manage resources within defined areas of work.
Take the lead on planning in familiar or defined contexts.
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| Pre-requisites: |
Before undertaking this module the student should have
undertaken the following:
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Module Code:
| Module Title:
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| Other: | |
| Co-requisites | Module Code:
| Module Title:
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* Indicates that module descriptor is not published.
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| Learning and Teaching |
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This module will be delivered in two blocks.
The first block will focus on practitioner case studies. This block will utilise interactive workshops to examine the key theories, processes and practices central to creative writing from a range of (inter)disciplinary and international perspectives.
Through a further series of interactive workshops, the second block of the module will focus on the creation and analysis of a screenwriting text, drawing upon the key theories, processes and practices of script preproduction.
In both blocks, workshops will be learner led, with students working with peers in small group settings to critically evaluate of their work and the works of others.
The module will involve significant asynchronous digital learning and peer assessment activities through the VLE. A central element of the module, and a central underpinning of the teaching and learning processes, will be the development of student understanding, and engagement with, peer editorial processes and practices standard in the wider creative and cultural industries.
The module is fully aligned with the institutional policy on personal development planning. Student engagement with personal development is explicitly located at the level of the programme, with module-level activity supporting reflection on specific areas of development. This module supports student reflection in the following areas:
1. The critique (analysis) of creative concepts
2. Working in creative teams (Team working)
3. Assimilating industry feedback (Self-reflection)
4. Time management (Self-Regulation)
5. Conflict management (Negotiation) |
Learning Activities
During completion of this module, the learning activities undertaken to
achieve the module learning outcomes are stated below:
| Student Learning Hours
(Normally totalling 200 hours):
(Note: Learning hours include both contact hours and hours spent on other learning activities) |
| Lecture/Core Content Delivery | 18 |
| Asynchronous Class Activity | 18 |
| Independent Study | 164 |
| 200
Hours Total
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**Indicative Resources: (eg. Core text, journals, internet
access)
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The following materials form essential underpinning for the module content
and ultimately for the learning outcomes:
Batty, C. (2014) Screenwriters and screenwriting: putting practice into context. Basingstoke: Palgrave Macmillan.
Connor, B. (2014) Screenwriting: creative labor and professional practice. Milton Park, Abingdon, Oxon ; New York, NY : Routledge.
Selbo, J. (2016) Screenplay: building story through character. New York: Routledge.
Rabiger, M. (2016) Developing story ideas: the power and purpose and storytelling. New York: Routledge.
Vogler, C. (2007) The writer's journey. Studio City, CA: Michael Wiese Productions.
The Journal of Screenwriting (https://www.ingentaconnect.com/content/intellect/josc)
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(**N.B. Although reading lists should include current publications,
students are advised (particularly for material marked with an asterisk*) to
wait until the start of session for confirmation of the most up-to-date
material)
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| Engagement Requirements |
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In line with the Academic Engagement Procedure, Students are defined as academically engaged if they are regularly engaged with timetabled teaching sessions, course-related learning resources including those in the Library and on the relevant learning platform, and complete assessments and submit these on time. Please refer to the Academic Engagement Procedure at the following link: Academic engagement procedure |
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Supplemental Information
| Programme Board | Arts & Media |
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| Assessment Results (Pass/Fail) |
No
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| Subject Panel | Screen |
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| Moderator | Dr Gill Jamieson |
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| External Examiner | Alex Neville |
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| Accreditation Details | ScreenSkills |
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| Version Number | 1.03 |
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| Assessment: (also refer to Assessment Outcomes Grids below) |
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| Annotated Screenplay |
(N.B. (i) Assessment Outcomes Grids for the module
(one for each component) can be found below which clearly demonstrate how the learning outcomes of the module
will be assessed.
(ii) An indicative schedule listing approximate times
within the academic calendar when assessment is likely to feature will be
provided within the Student Handbook.)
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Assessment Outcome Grids (Footnote A.)
Footnotes
A. Referred to within Assessment Section above
B. Identified in the Learning Outcome Section above
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Note(s):
- More than one assessment method can be used to assess individual learning outcomes.
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Schools are responsible for determining student contact hours. Please refer to University Policy on contact hours (extract contained within section 10 of the Module Descriptor guidance note).
This will normally be variable across Schools, dependent on Programmes &/or Professional requirements.
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| Equality and Diversity |
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Aligned with the overall commitment to equality and diversity stated in the Programme Specifications, the module supports equality of opportunity for students from all backgrounds and with different learning needs. Using Moodle, learning materials will be presented electronically in formats that allow flexible access and manipulation of content. The module complies with University regulations and guidance on inclusive learning and teaching practice. Specialist assistive equipment, support provision and adjustment to assessment practice will be made in accordance with UWS policy and regulations. The University’s Equality, Diversity and Human Rights Policy can be accessed at the following link: http://www.uws.ac.uk/equality/
Our partners are fully committed to the principles and practice of inclusiveness and our modules are designed to be accessible to all. Where this module is delivered overseas, local equivalent support for students and appropriate legislation applies.
UWS Equality and Diversity Policy |
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(N.B. Every effort
will be made by the University to accommodate any equality and diversity issues
brought to the attention of the School)
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